film reviews

Publié le 22 Mai 2008

“Oh World, I am a wanderer in your puzzle!” So sings Awaara, Raj the vagabond, as he leaves the prison, and winds his way through village streets and benevolent humanity, his newly found freedom and his good nature hiding the deep wounds of a wrecked...

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Publié le 27 Avril 2008

Some of you might remember that I had promised to watch Guide, by Vijay Anand, the movie based on R.K. Narayan’s novel which I had reviewed here . I had been encouraged by a number of blog reviews, but I must say that I have been rather disappointed....

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Publié le 20 Avril 2008

« This is one of the worst Bollywood films ever made. It tells the sickening story of a 15 year old boy who loves a 26 year old women. Its weird, cos the boy is just so annoying and looks stupid. He spends long hours just spying on her with his telescope....

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Publié le 27 Mars 2008

Satyajit Ray’s 1955 “Song of the little road” is a quiet picture of little big events within a rural Bengali family, where the little happenings of childhood occur, and form that most profound event of any life: growing up. The film is part of a trilogy,...

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Publié le 11 Mars 2008

Kaala Patthar (“Black stone”) is a grandiose epic movie by Yash Chopra which is at the same time a political and social weapon against reckless capitalism and the exploitation of workers, a story of redemption and sacrifice, and a suspense-full entertainer,...

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Publié le 14 Février 2008

3 Dewaarein by Nagesh Kukunoor is a very good entertainer. Its construction is very clever, its rhythm flawless, the actors are truly first class, the suspense is exciting, the photography is excellent… One spends a very rewarding 120 minutes. But…it’s...

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Publié le 6 Février 2008

As boy-meets-girl Bollywood stories go, well, I don’t know whether I’ve not seen the best so far (1)… Socha na tha, directed by novice director Imtiaz Ali in 2005 (he’s done Jab we met since), and starring beginners Abhay Deol and Ayesha Takia shows that...

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Publié le 2 Février 2008

To inattentive spectators this 1956 film starring Raj Kapoor will probably seem a little naïve and perhaps shoddy, for it has enough imperfections to justify a less than perfect opinion about it. Some inconsistencies here, some lengthy bits there, a humour...

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Publié le 19 Décembre 2007

Another classic ! Raj Kapoor (actor and director) and Nargis are once again at the top of their art, and create a masterful, a superb story of love and temptation, of self-deception and redemption. Not only is the story a moving and profound parable on...

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Publié le 11 Décembre 2007

Rakesh Mehra’s cult movie left me in two minds. I certainly appreciated the fact that for Indians in today’s society, something urgent and drastic has to be done if the democracy must move away from the scourge of corruption and nepotism. We’ll come back...

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Publié le 16 Novembre 2007

Here’s an unassumingly important little film. Shonali Bose's Amu is a kind of a detective-story, with young Indian expat Kajju coming back to the country she’d left when she was 3, and discovering about her past. We follow her as she little by little...

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Publié le 13 Novembre 2007

I would like to start this review by quoting what IMdB user nmainkar has said here. It’s so well said that I can’t parallel it: Deewaar is, in one word, taut. From start to end, the movie is unrelentingly tense, tight, somber and serious but the seriousness...

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Publié le 8 Octobre 2007

Guru Dutt’s Pyaasa (thirsty) is so consistently lauded that it’s rather daunting to start talking about it. All the reviews I’ve read about it were superlative. Everybody says what a landmark it has been, what wonderful music it displays, what poetry...

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Publié le 7 Septembre 2007

Is friendship possible between men and women? This is the question which sprang to my mind while watching Hum tumhare hain sanam. Old question, of course, but well, since it seemed to have been important for the director (K.S. Adhiyaman), and that his...

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Publié le 10 Août 2007

Absolutely excellent. The hubris of petty officers, the crisis and tension coming from lust and gratuitous violence, the horrifying banality of colonialism, the abuse and victimization of women: all these elements combine to create a tragedy which the...

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